Another day among the dandelions… playing the sunlight/shade options:
Lighting 001: a “class”.
Some feedback I’m getting on a recent project has moved me to make one of the key results available to others, so that you can take your photography to a next level. Your price?: Whatever you put into the followup “assignment”. I’ll also ask only that, should you have feedback or meaningful results, I’d really like to hear about it, either in comments on this post, or via email or links to images you’ve made out of implementing this little Audio/Visual combo.
Part, the First:
Guided Imagery has become a powerful and effective tool in all sorts of endeavors where enhanced results are desired. Athletes and executives are using them to become more effective; in healthcare fields healing is given a boost. I began using the idea in teaching lighting, years ago. While I cannot measure the results, those who have taken advantage of the recording I’m posting here are saying that they are experiencing light in new ways and it’s showing up in their new images.
This application of guided imagery (also called guided meditation) is, maybe, a little different. Instead of imagining making the perfect golf stroke or creating fat round red blood cells, this will be a journey to the part of yourself that knows more about light and lighting than you may already consciously command. We are:
A) certainly seeing and manipulating light in our homes, and other places,
B) while sometimes thinking that we need to know dedicated photographic lighting techniques before we can begin to master light in our pictures.
My “come from”, in making this guided imagery, is that we access the intuitive and/or semi-conscious awareness we already have of light, and with the second of this pair of tools, have that awareness show up in our photos. Only with a conscious awareness of light.. really seeing it, if you will.. are we empowered to use the gear effectively. Formulae and “how to” videos are great tools, no question about that; this is an attempt to engage one’s imagination, and eyes (both inner and outer) before one’s technique. With awareness, practice, and good old fashioned paying attention, we will see lighting well using continuous lighting sources, yes, but also previsualize the lighting we want. That way, when using strobist-style lighting, we already have a clue where to start. Another benefit may be that you can begin to create lighting that isn’t naturally there without so much experimentation, first.
Here’s an audio file of the Guided Imagery
Here’s the Assignment (learned, originally, from a pivotal photography teacher for me, Sean Kernan)
Make photographs, where light is the subject of the photograph.
Shoot at least a card full of pictures in a session, so that you are not giving yourself time to overthink it. Avoid previsualizing ideas, or judging the opportunities as they come to you while you’re out shooting with the assignment in mind. Find and react to light, and take its picture. One of the first thoughts that come to the minds of many is “isn’t Any photograph about light?”. Well, technically, maybe 98% (excluding x-rays, sonograms, etc) are about light, yeah. In this case, however, let your inner papparazzi treat light, itself, as the Star, instead of as Best Supporting Role.
Katariina had suggested the “horror” lighting used in my last post for one of the other “mouth”like orchid images. While the other, more delicate variety -the Big mouthed ones- have all gone, I Could make fresh versions of this one, so I played with these last night, late, for added fun.